Frankenstein helped cement the science fiction genre and we can all thank author Mary Shelley's elephant and tortoise for the book's structure.
Just like how Victor Frankenstein enjoyed wandering the Mer de Glace glacier on the northern slopes of Mont Blanc in the novel, Shelley is at pains to deliver mountains and mountains of backstory. She admits as much in her 1831 introduction to the novel:
Every thing must have a beginning, to speak in Sanchean phrase; and that beginning must be linked to something that went before. The Hindoos give the world an elephant to support it, but they make the elephant stand upon a tortoise. Invention, it must be humbly admitted, does not consist in creating out of void, but out of chaos; the materials must, in the first place, be afforded: it can give form to dark, shapeless substances, but cannot bring into being the substance itself.
I think it aptly explains Shelley's writing style and the needs for so much backstory. I have to admit, this felt sluggish at times, but I can see the great value in it.
The initial backstory links into the heartbreak Frankenstein feels at the end when he's lost all his loved ones (well, accept one brother who he doesn't seem to care much about) She then takes us on diversion after diversion.
She gives us chapters of backstory on minor characters like Felix and his family. Written beautifully, so I am glad it exists. Plus, it's there to show the type of life the creature aspires to. Then, amusingly, we get the implausibity that he's been watching this family for months unnoticed from a nearby hovel and learnt the language simply by spying on Felix's English lessons to the Spaniard.
Then even more implausible – which could be argued as lazy writing – the creature just so happens to find a satchel full of books which which include John Milton's Paradise Lost, Plutarch's Lives of the Noble Greeks and Romans, and Johann Wolfgang von Goethe's The Sorrows of Young Werther.
At this point, it seemed fairly clear to me the book was more an excuse for Shelley to discuss existential topics and the morality behind giving life and casting it away so readily. This could link into he fact she'd had a severe miscarriage prior to writing the novel, and perhaps it was a commentary on those who give birth and abandon their child so readily…and poor nurture arguably develops disreputable character. I think her grief certainly explains how she could describe Frankenstein's grief and remorse with such clarity and poignancy.
Then, she takes us on a long divergent journey all the way to England, then Scotland and even Ireland. I loved the globetrotting nature of the book – but it did feel sluggish at the time of reading. The incredible prose makes and the final monologue from the creature makes up for it all, of course.
Frankenstein went to England to meet a fellow scientist, who supposedly has vital information that will further Frankenstein's efforts to bring life to a female creature, yet we never meet him. I feel this whole divergence was actually to set up the tragedy of Clerval and to show the creature's supernatural powers – i.e his ability to survive any condition or climate, and his great agility. This section also includes beautiful prose which make up for it, and Shelley's descriptions of the English cities back then are fascinating.
Then we get more and more chapters of how Frankenstein grapples himself out of this mess.
Frankenstein tends to make every wrong decision going and then this leads to chapter and chapters of divergences. I think these painful and extreme setbacks add an element of realism to the book, serving to justify the more high concept elements, such as the creature's inception, his mastery of language and supernatural powers.
Then, there is the letters Captain Robert Walton is writing (god knows how he is sending them) – perhaps these would have been better as journal entries….and again, we're getting chapter and chapter of backstory of a minor character. I feel like Walton's account is there to set up and air of mystery, ahead of the slow start before the creature's inception, and a way to ground Frankenstein's downfall further in reality, by showing his fragile physical state and ill health from a third party perspective. As a scientist, eager to make great discoveries (whatever these are, are not made clear), Walton also serves as a dual figure to Frankenstein and the creature, further hitting home the themes of over ambition,and playing with God.
It all comes down to the elephant and the tortoise. I am so glad I finally read this utterly fantastic novel…even it did feel a slog at times. In hindsight, it was all justified.
by AngryGardenGnomes