I feel like a lot of thrillers use multiple perspectives to unfold the plot throughout the book. I read a few last year which I liked and can recommend:
* The Paris Apartment by Lucy Foley
* The Long Weekend by Gilly Macmillan
* One of the Girls by Lucy Clarke
* It’s One of Us by J. T. Ellison
mendizabal1 on
Die of shame
J-Can2 on
Confessions, We Are Not Free, There There.
floorplanner2 on
World War Z by Max Brooks
OkMeasurement5126 on
A song of ice and fire by George Martin
Cloud atlas by David Mitchell
relative_void on
A Visit from the Goon Squad and its psuedo sequel, The Candy House by Jennifer Egan both have a wildly wide cast of perspective characters and styles. Most chapters are prose but are tailored to the character but there are a few that get really out there, famously one chapter is told as a powerpoint presentation.
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I feel like a lot of thrillers use multiple perspectives to unfold the plot throughout the book. I read a few last year which I liked and can recommend:
* The Paris Apartment by Lucy Foley
* The Long Weekend by Gilly Macmillan
* One of the Girls by Lucy Clarke
* It’s One of Us by J. T. Ellison
Die of shame
Confessions, We Are Not Free, There There.
World War Z by Max Brooks
A song of ice and fire by George Martin
Cloud atlas by David Mitchell
A Visit from the Goon Squad and its psuedo sequel, The Candy House by Jennifer Egan both have a wildly wide cast of perspective characters and styles. Most chapters are prose but are tailored to the character but there are a few that get really out there, famously one chapter is told as a powerpoint presentation.
Ink Blood Sister Scribe by Emma Torsz
The Lincoln Highway by Amor Towles